Contemporary Macabre: Jonathan Creek, Daemons’ Roost

After another hiatus, and 20 years since the first episode of Jonathan Creek aired on our screens we were treated to possibly the final Creek story ever, Daemon’s Roost. 

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The plot and main impossibility centre around a horrific mansion house (Daemon’s Roost) which, according to legend, was once owned by Sir Jacob Surtees. A seemingly satanic powered individual, complete with hidden chamber, Surtees has the ability to apparently levitate his victims across the room (no strings attached) sending them from a cage and through the air into a fiery furnace.

150 years later the mansion, now decaying was bought by corny slasher horror film director Nathan Clore, specifically for all it’s macabre history. But this decision turned to tragedy as two of his step daughters and their mother die under strange circumstances. Alison, the only daughter left, now grown up, is summoned to Daemon’s Roost to learn the truth about what happened to the rest of her family. But before she arrives Clore has a debilitating stroke rendering him paralysed and unable to communicate.

We are told that Creek had assisted Alison’s husband Stephen Belkin 6 years previously with what has come to be known as ‘The Striped Unicorn Affair’. A nifty locked room murder where by Stephen’s first wife, who had been receiving death threats, is finally told she will die in her bedroom that night. Stephen indeed wakes to find her lying dead, her bedside glass of water having been poisoned besides the fact that Stephen’s glass and the brand new bottle of water contain no poison, and the doors and windows are all securely locked from the inside. Alison, knowing Creek had solved the case calls him in to work out the truth behind her mother and sisters tragic deaths.

But after Creek’s arrival at Daemon’s Roost events take a more tragic and sinister turn, as the legend of Sir Jacob Surtees satanic killings is reenacted. Alison having been knocked out finds herself in the rumoured underground dungeon and is forced to watch Stephen levitated across the room and into the fire.

I felt the whole episode was something of a return to form for Renwick. The solution to the satanic levitation murder was satisfying and fiendishly simple, and the neat solution to the ‘Striped Unicorn Affair’, it’s subsequent subversion, and then it’s link to the motive and solution for the death at Daemon’s Roost lifts those plotting elements from good to brilliant. It’s this kind of thing that shows that Renwick has still got the flair to weave a complex mystery that has always made Creek so popular.

What I like about this episode, and with much of the Creek series as a whole is Renwick’s mixing of time periods in his impossible situations. Much of the problems over the Creek series blend both contemporary settings alongside the historic macabre. Objects like the thrice stolen 90’s answer phone tape in The Problem at Gallows Gate (1998), the clunky PC monitors of episodes like The House of Monkeys (1997) and the sharp glass shelf and modern book titles of the ‘Striped Unicorn Affair’ embed the mysteries in the moment, making them ‘of the time’. These writing tools serve to charge and activate the mundane and the everyday with mystery and horror. This is one of the great powers of the locked room mystery genre. Where simple locked rooms become sinister dark cages, glasses of water become fierce and sharp and something so simple as why a book would be too far forward on a shelf is imbued with twisted and cryptic meaning.

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The Problem at Gallow’s Gate – Pure 90’s

These deeply domestic environments coupled with decaying haunted settings has been a Renwick tool of old. As with the moody Satan’s Chimney (2001), The Grinning Man (2009) and the series classic The Black Canary (1998). This coupling has the effect of butting up the contemporary alongside ghostly British histories in a way I have always admired.

But there were some holes and difficulties in Daemons Roost, mostly in terms of plotting and motivation. The no-consequence death of the returning ‘House of Monkeys’ killer was hard to swallow and was a very ‘convenient’ plot device. The more ‘phoney’ wordplay throughout the episode was a stretch, and there seemed to be a lot of padded out extra twists and turns that, although tied together by Renwick, could have been left behind. However with 32 episodes under his belt, it’s amazing that Renwick can pull ideas and solutions out of the bag.

In conclusion I felt this was a satisfying return to form for Renwick and Creek, with a few bumps along the way. And if this turns out to be the final episode, and Creek’s last bow, then it is a fitting ending to the whole 20 years of impossible mysteries. It makes me wonder if anything might ever take it’s place?

 

Haunted Objects, Gender and Impossible Poisonings: Salvation of A Saint by Keigo Higashino

In recent weeks I have begun making my way through the books of Japanese author Keigo Higashino. Having teared through the brilliantly tense, inverted thriller The Devotion of Suspect X (2011), made way for me to read the second in the Detective Galileo series Salvation of A Saint (2012). I prioritised it as it is also a locked room mystery!

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Yoshitaka Mashiba, a big time CEO, runs his marriage much like his business. Yoshitaka has forced an agreement with his wife, famous tapestry and patchwork artist Ayane Mashiba, that if they can’t have children within the first year of their marriage, that they should separate. The book opens with Yoshitaka telling Ayane that time is up. He makes it quite clear that he is ready to move on, and that she should be too. Ayane, zoned out it a seemingly psychological defense mechanism, stares at a selection of white pansies ‘Not particularly showy flowers, but they’re tough’, she speaks in her head. It’s a subtle but weighty premonition of the book’s tensions to come.

Needing to get away, Ayane decides to leave Tokyo and spend the upcoming three day weekend with her parents in Sapporo, Northern Japan. She leaves the keys to her house with her young, committed studio assistant Hiromi. But when Hiromi enters the house on the second day of the weekend to find Yoshitaka lying dead in the living room, a poisoned coffee cup by his side, with all the doors and windows locked from the inside, save for one small opening in the upstairs bathroom not big enough for anyone to enter, the puzzle really begins.

Having just been thwarted by her pragmatically cold husband, suspicion immediately falls on Ayane. But how could she have poisoned her husband when she was thousands of miles away in Sapporo at the exact time Yoshitaka died? Enter Manabu Yukawa, a university physics professor, known lovingly as Detective Galileo, alongside police detectives Kusanagi and Utsumi, to explain how not to just to solve but to prove the perfect crime.

An interesting sub plotting tool, is Higashino’s take on the themes of ‘female intuition’ and the classic idea of poison being a woman’s weapon. This is an interesting angle to work with, and represents a lot of contemporary questions about gender, and gender roles. There are arguments throughout the story between old a new school ways of looking at a women’s involvement in a crime and discussions about whether the young and brilliant female detective Kaoru Utsumi (one of my absolute favourite detective characters in recent years) can detect more easily the motives of the suspects because she is a woman or because she is brilliantly observant. All this discussion is then further muddied by the fact that the lead detective on the case, Kusunagi seems to have fallen for their main suspect Ayane, and keeps trying to defend her in his wearied mind.

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Japanese Edition

Higashino gives us a strong introduction to junior detective Utsumi. We observe her first through Kusunagi’s eyes, where she happens to not be in the house observing the crime scene, but standing on the front lawn looking up at the flowers on the first floor balcony. When she finally makes her way to the body she wanders off during the chief commissioner’s explanation of the death, only to be found later staring at a cupboard where she notices that 4 champagne glasses are missing from the shelf. What looks to Kusunagi like absent mindedness, and a rejection of authority, sews wonderfully plotted seeds in our minds, and Utsumi’s incredibly detailed observances turn out to be crux points in solving the riddle of the poised coffee cup. Detective Galileo of course sees Utsumi’s brilliance, presenting her with many a challenge to draw out the young detective’s abilities. Interestingly, the Japanese TV series Galileo (ガリレオ) based on the books of Higashino, have Galileo and Utsumi as the lead characters, solving complicated crimes as a double act. 

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Masaharu Fukuyama and Kou Shibasaki as Galileo and Utsumi.

Another thing that Higashino does so well in Salvation is to draw out a foreboding and haunted sense of setting. Higashino does this through the use of a minimal cast of characters (hot housed together page after page), through a minimal amount of locations (which we constantly re-enter) and through his repeated use of objects as a site of haunted and imbued meaning.

The central crime, is an impossible poisoning, a lethal dose of arsenous acid, a brutal and convulsive poison, somehow present in a cup of coffee. This event and its memory then become the haunting elements as Higashino has his characters constantly drinking coffee, visiting tea shops and passing cups to each other throughout the rest of the book. There is even one moment where Detective Kusanagi, having spent time jumping from tea shop to tea shop decides to opt for a tomato juice, the taste of which burns his tongue due to all the tea he has drunk.

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The theologian and novelist G.K.Chesteron, author of the legendary Father Brown series of crime stories written in the early 1900’s, wrote a short essay titled ‘In Defense of the Detective Novel’. The centre of the essay takes up this idea of how the axiomatic structure of the crime story has a particular ability to imbue things with resonant meaning, the ‘romantic possibilities’ of objects and cities. The Detective novel he states:

‘…declines to regard the present as prosaic or the common as commonplace… The lights of the city begin to glow like innumerable goblin eyes, since they are guardians of some secret, however crude, which the writer knows and the reader does not. Every twist of the road is like a finger pointing to it; every fantastic skyline of chimney-pots seems wildly and derisively signalling the meaning of the mystery…’

The use of the word ‘derisive’ (mocking) here is poignant in describing how detective stories, and maybe even more so impossible crime stories, carry so much of their power. Higashino’s characters constantly drinking and tasting these fluids don’t just haunt the book, but are a kind of mocking play with the reader, a continual reminder of what is not known (the solution) against what is known (the clues). It’s as if everyone is being poisoned over and over. Poisoned not just by fluids, but by ideas, doubts, and misplaced affections which affect the characters judgement and reason, something which they try to grasp onto, as they work to solve a crime which is at it’s heart a logical puzzle of deeply in need of solid reason. These fluids and liquids of ideas, teas and coffees, seep through the book, much like the poison seeps through the cup and into its victim. It’s a constant dark and playful reminder of what is consuming the characters.

As usual with Higashino, and with any good locked room mystery, the solution (and in this case the title) only make sense in the last few pages. The solution itself is incredibly cheeky, and I’m not sure how other impossible crime fans would feel about it, but over time it has grown on me. All the clues are indeed there for the observant reader!

I recommend Salvation of A Saint and the first book The Devotion of Suspect X to anyone wanting a taste of thriller with enigmatically puzzling elements.

My Top 5 Second Hand Bookshops in London

Put on some comfortable shoes, grab a decent sized bag and a pocket full of change because here is a walking tour of my Top 5 second hand book shops in central London.

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Each store on this walk is on and around the wonder of Charing Cross Road. An area that combines enigmatic buildings you will never enter because you don’t have enough money, back alleys you will never enter because they are too terrifying and shops you will never enter because you didn’t go in the first time and now you’ll never find them again. Charing Cross road and it’s subsequent attachments contain some of the most densely packed areas of books shops in London, some new, some second hand, some antique, some mad. I have chosen my favourite in the second hand and vintage variety, and of course, as this blog specialises in, the best places to pick up a great second hand mystery book at a great price.

The book walk begins at Leicester Square Station and heads north, ending up at the Wellcome Collection in Euston, with each bookshop close to the last on a winding literary road. It is a great walk to go on anytime, but my book hunt tends to be on the first Tuesday of each month, just after 2 o’clock. The reason for which will become apparent further down this post.

Let’s begin:

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1: Any Amount of Books

56 Charing Cross Rd, WC2H 0QA

Starting at Leicester Square tube station head north on Charing Cross and it won’t be more than a few strides before you hit a huge row of book shops with titles pouring out the doors. The first along this row, (and the reason I start this tour here) is Any Amount of Books.

This is simply my favourite second hand book shop in London. The store is split over two levels with a sprawling paradise of first editions, vintage and second hand books stacked all over. The shelves are brilliantly organised and most importantly, there is a large crime bookcase located at the very back of the basement floor. Make sure to grab a set of step ladders as treasures can be hiding in the heavens.

The shop is open 10:30-21:30 everyday and the staff are always excited and helpful which makes it a perfect visit anytime of day.

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2: Quinto and Francis Edwards

72 Charing Cross Rd, WC2H 0BE

Take a right out of Any Amount of Books, and a few doors down you will arrive at the second shop in our tour, Quinto and Francis Edwards. The Francis Edwards part of the name refers to the first floor of the shop, containing the esoteric, the rare, the first edition and the estates of the famous-now-deceased. The Quinto part of the name is what we want, and is also the reason that I start my books hunt just before 2 O’clock. Quinto is the second hand basement part of the store, and boasts a huge selection of fantasy, history, poetry, literary theory and at the right time, vintage crime. On the first Tuesday of every month, the shop closes to completely restock the Quinto basement with new acquisitions, reopening at 2 O’clock. If you arrive at the right time you can find some absolute gems.

There is sometimes a bit of a cue, so arrive early if you want to be in first! Or if you are not up for silent, awkward bustling for the best material, head down once the initial wave has died down. Quinto is also great for a visit anytime, and all sorts of things can come out of the woodwork when you spend time.

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3: Oxfam Bookstore Bloomsbury

12 Bloomsbury St, WC1B 3QA

A short walk past Tottenham Court Road Station with a sweeping right and left will bring you to the Oxfam Bookstore. If you follow this route, on the way you will also come across the wonderful mystery that is Little Compton Street. A secret street buried underground beneath Charing Cross road. If you look through the grates in the middle of the road, you can see the underground street sign. The Marmont Road Bespoke Detective Agency, a London based Detective agency that deal with the unsolved and the unexplained took the mysterious street on as a case at a client’s request: here.

But back to the tour. The Oxfam Bookstore on Bloomsbury is one of the bigger book shops of the Oxfam, second hand world, and is a real highlight of this journey. The shop is really well put together, with a great feel, and stocks a great selection of everything, with particularly good sections on gender and sexuality, social sciences and a brilliant art department. The crime bookshelf stocks a lot of modern crime fiction, with some vintage nestled in, but the real vintage crime is usually hidden on the antiquarian literature shelf close by. They also have a lovely Monday-Sunday bookshelf, with ideas for books for everyday of the week, and they often group titles together from the same writer around the shop and sell them as bundles with special offer price.

Now at this point on our journey, it is advisable to take a little break because the next section is going to be big! You could pop onto the wonderful London Review book shop (a non secondhand book shop!) and grab a coffee in their adjoining cafe. Now you have recharged a little, and rested your shoulders from your massive bag of books it’s time for the big one.

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4: Skoob Books

66 Marchmont St, WC1N 1AE

A walk across Bloomsbury Square park and past Russell Square tube station will bring you to Skoob Books. Snuck round the back of the 1960’s designed Brunswick centre Skoob books is the biggest second hand book shop in London. Across their 2000 sq ft of shelves they stock around 55,000 books, with 5000 being replaced each month (I’m not joking).

Their crime section is a beast, and they have the biggest selection of green Penguin Crime Classics I have ever seen (check the top image for proof). There are stools around to sit on as you browse, and the prices are good. They also do student discounts, and sometimes run 20-30% off weeks, so look out for that.

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5: Judd Books

82 Marchmont St, London WC1N 1AG

After the monster that is Skoob you need a little flourish to finish your book shop journey and just a few hundred meters up the same road you’ll find Judd Books ready and waiting.

Judd is another two floored paradise, with only a small crime section, but a few gems knocking around, including a few old Penguin crime books. They also have a lovely poetry section and I usually use this time in the journey to pick up a Faber and Faber book of a specific poet, and take in a little linguistic healing.

At this point, you are most definitely replete unless you are mad, and up for more, and therefore Camden will be your next stop to visit Black Gull Books. But normal people will be in need of food and hydration, and a few minutes round the corner from Judd is the amazing Wellcome Collection.

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The Wellcome Collection if you don’t know is a large scale, esoteric museum space, which has had amazing exhibitions on such diverse topics dirt, criminal forensics, sex, language and mental asylums. It also has an amazing book shop with new titles on popular science, psychology, philosophy, art and publications which accompany the show. Take a break in their cafe and grab something to eat, before taking in one of their exhibitions. And if you want to start reading some of your second hand finds straight away, you can head upstairs to their reading room for a bit of quiet and well designed peace. Website here.

Well that’s all folks. Maybe I’ll see you along the way at some point. You can find me crouched low or stretched high in the crime section, with a backpack of books, seeking out an unfound locked room mystery on my list.

Where are all the Locked Rooms? Crime Fiction and Morality: Part 1

The heart of the traditional crime novel and the traditional locked room mystery is wonderfully, and essentially a morality tale. A tale of good and bad, with justice prevailing at the denouement. This is a deeply satisfying and important type of storytelling, and appeals to our humanity. But many modern crime works are not traditional ‘whodunits’ but ‘whydunits’ with the dark motivation of the killer being the centre of the story. Is the apparent lack of interest in the golden age locked room mystery, something to do with the time period that we find ourselves in?

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Otto Penzler is an editor of many crime collections, including the huge anthology of short stories ‘The Locked Room Mysteries’, published by Black Lizard in 2014, and is also the proprietor of the Mystery Bookshop in New York. In writing for the Independent about the seeming disappearance of the traditional Locked Room genre Penzler puts it like this:

‘Many modern readers don’t have the patience to follow the trail of clues in a detective story in which all suspects are interviewed… until all the suspects are gathered for the explanation of how the crime was committed, who perpetrated it and why they did it. It is not realistic and was never intended to be. It is entertainment, as all fiction is… or should be.’

If Penzler is right, the ‘Impossible Crime’ is the genre of crime fiction which you could say requires the most patience of all. Could I see in my own city of London, a commuter sardined in high-paced commute trying to piece together the clues to work out how a man was shot in an empty room, with the only entrance watched, to then have the still smoking gun delivered in a package only minutes later?… (Joseph Commings’ X-Street Murders if you’re interested) Maybe not… But then again, maybe I could.

There have been a number of modern Locked Room mysteries twisting their way into our minds in recent years. The BBC series Death in Paradise, originally penned by Robert Thorogood, has had 4 impossible problems. One of my favourites being the last episode of the most recent series 5 (as I write this) titled ‘Flames of Love’. This episode, written by Matthew Barry, puzzles on a victim shot in a room where the window is locked from within and her body is propped up against the inside of the door leaving no way for a killer to get out. Mark Gattis’ modern Sherlock series has contained a few impossible situations, notably where one victim was stabbed while inside a locked shower cubicle, with no weapon or assassin to be found. And casting our mind back a few years you could have seen an impossible crime every week with David Renwick’s Jonathan Creek series. There is a new 90 minute Creek episode on the way, so there is more to come from Renwick. (Check my last post for more details – I am a big Creek fan!)

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But with the exception of Creek many locked room stories today are still few and far between, usually used as openers or punctuation points to a series, and are mostly in the TV format. Comedian Miles Jupp wrote an article for the BBC saying that locked rooms still had a strong appeal, but had his doubts as to whether they could make a resurgence in the world of paper and print:

‘So could the locked room mystery stage a similar comeback in Britain? Not necessarily, according to publisher Daniel Mallory of Sphere, who consigns the locked room mystery to the world of the “cosy” crime thriller.’

The question here is, why? What is holding the impossible crime novel back (other than maybe the time needed to read one) and why would a publisher not see it as a viable investment? Well in many ways, why should they? The form itself could be seen as somewhat of an outdated one.

The height of the locked room mystery came during the reign of the classic fair-play detective novel, known as the Golden Age of detection (or GAD for crime buffs). Think Agatha Christie, Dorothy L Sayers, G.K Chesterton, John Dickson Carr, all between the two world wars. These writers and many others formulated the classic ‘whodunit’ style of puzzle fiction, with plotting, clueing, misdirection and sometimes pages with a ‘challenge to the reader’ to work it all out before the detective does. The addition of the locked room, then, made these books not just a whodunnit but a ‘howdunit’, taking the puzzle element to it’s highest point.

Much popular modern crime writing does not fall easily into either of these two categories. We could call many contemporary crime stories a ‘why-dunnit’. We can find out who the killer is on the first page, sometimes the book or TV series is from the point of view of the killer themselves. What is important is why they did it, their psychology. The more brutal, thrilling and serial the murders are, and the more twisted the killer’s motives, the better. Even if their motive is that they simply just like killing (maybe the darkest motive of all).

So then, the modern psychological thriller (fast paced, gritty, psychological) and the Golden Age locked room mystery (social, contained, complex and moody) could seem like worlds apart. But essentially, as ‘crime fiction’, there are a number of things that still link these time periods together. For the purpose of this post I will discuss just one: morality.

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In our current pluralistic culture, ideas about morality and justice are (importantly) being called into question and are therefore more difficult to grasp onto. It’s not a wonder then that so much of popular crime fiction deals more with the motives behind the killer in question. For example, if someone is simply psychotic, how do we understand what they have done? Or if murdering someone seems almost essential in the narrative situation, then how do we and the other characters relate to the perpetrator, as in the brilliant inverted crime thriller The Devotion Of Suspect X by Keigo Higashino. In this novel a horrible, abusive ex-husband re-appears tormenting his ex-wife and daughter, consequently being murdered in self defence, all of which we see. The enduring grip of the narrative is then about how to cover the crime up, because surely the wife and daughter are really innocent in these confused circumstances?

The thrill of many modern popular crime books comes in what lies behind the killer or what ties the killings together, the reader trying to psychoanalyse and unpick the brain of the murderer, and in that way it’s an interesting reflection on our own time period. To think that in a epoch where we are statistically safer than ever, but at the same time all the ills of the world are so easily available to watch at the click of a trackpad, we should land on such a gritty form of popular storytelling is striking. Although if you read Endless Night by Agatha Christie (not too late at night) or Margery Allingham’s stories you will see something of the horrific psychotic killer and the most brutal and gory of murders even within the golden age of detection…

But above all this, as we read a crime novel or watch a crime series we still have that same impulse that drives the whole crime genre: simply wanting to work it out. Even if modern crime works are less about means and opportunity in favour of motivation, our propensity as humans to get to the truth and to see justice prevail is not extinguished. And therefore the essence and the very beginnings of the crime novel, as both morality tale combined with puzzle, still remains at its heart. Even if the puzzle is less about how killers can escape from locked rooms, and more about how the murderer’s brain locks together.

However, in saying all this I want to acknowledge some generalisations on my part. There are many writers today still working in and around the golden age style. Take for example Sophie Hannah, and the TV series’ Miss Fisher’s Murder Mysteries, Dr Blake Mysteries and Death In Paradise. There are also many modern thriller’s with fair play elements, like Michael Dibdin’s Aurelio Zen series, the as mentioned Higashino novels and the American Sherlock TV series Elementary to name a few examples in a big list. But much of the books that make it into big posters on the platforms of train stations, are of the fast paced, often inverted, psychological crime thriller.

In regards to the title of this post where all the locked rooms? it could seem that the psychological thriller genre has all but taken over the golden age locked room format. But… there is indeed a contemporary locked room novel scene bubbling, and it may surprise you to hear that to access it, we need to look to Europe and the far east.

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In 2007 the noted locked room anthologist Roland Larcombe brought a group of crime fiction experts and translators together to create a hypothetical library of the top 100 locked room mystery novels. In the final results a huge 40 percent of the books chosen were French titles. The full list can be found here. Arguably the first Locked Room Mystery proper the fantastic The Mystery of The Yellow Room was written by french author Gaston Leroux, who then went on to pen The Phantom of the Opera. Continuing from there is the legacy of Pierre Boileau and Thomas Narcejac. In their own right they both wrote many famous locked room novels, which appear on the top 100 list by Larcombe. And together under the nom de plume Boileau-Narcejac they wrote, among many other works, the noir classic Vertigo, adapted by them for cinema at the request of Alfred Hitchcock. Interestingly, these works by Boileau-Narcejac alongside other french authors like George Simenon could also be said to have been the start of the ‘whydunnit’ genre, where the killers and criminals are more interesting than the detectives. Other writers such as the hyper prolific Paul Halter, who has written some 40 Locked room mysteries in French, continue to carry the impossible crime mantle right up to the present day.

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And to search further afield in Japan, the classic detective novel and the locked room mystery are absolutely thriving. Take for example the wonderfully complex and brutal Tokyo Zodiac Murders by Soji Shimada where an artist is killed by an unknown weapon within his studio, locked from the inside. His 6 daughters then all go mysteriously missing from a bath house, their body parts found scattered all over Japan, set out by a riddled code.

But the problem here is, barely any French or Japanese locked room novels get a translation into English. This could leave English readers thinking that the locked room book is all but dead, when in many cases it is most definitely alive! So, maybe the locked room mystery genre hasn’t vanished as much as we might think, and every time one makes it’s way into the UK many seem to love it. Who knows, maybe we will see a resurgence in the world of books. But they may have to be translated from Japanese or French first!

My Top 5 Jonathan Creek Episodes

After another long hiatus the BBC cult impossible crime series Jonathan Creek, penned by David Renwick, has a new episode on the way! December 28th will see Creek, alongside his new wife Polly, solving the mystery of Daemons’ Roosta christmas feature length special .

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I have a very special place in my heart for the Jonathan Creek series. Renwick over the years has created some of the most ingenious plots, clues and solutions within the impossible crime genre. And with this new episode on the way I thought it would be fitting to open this brand new blog with a list of my top 5 Jonathan Creek episodes!

Jack in the Box (Series 1: Episode 2)

The second Jonathan Creek story and, I could say, still my favourite locked room solution to date, and a total original. A paranoid comedian is found shot through the head with the gun in his hand, 30 feet below ground in a locked nuclear bunker, with two sets of 6 inch thick metal doors that have to be cut open for entry. It looks like an open and shut suicide, but the problem is, the comedian has crippling arthritis, and never could have pulled the trigger to kill himself. The clues are an unused toilet, and a lightbulb, just perfect.

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The Eyes of Tiresias (Series 3: Episode 2)

An old lady vividly dreams every detail of the murder of a french business man shot inside his locked office, even down to his dying words. The next day the murder takes place, exactly how she dreamt it, word for word. Jonathan is tasked to find out how she could have predicted this, and then a second death through her dreams. Amazing dark mood, and the main clue is the fish food she buys in the market.

The Black Canary (1998 Christmas Special)

Lorded as Renwick’s master work. A retired magician shoots herself in a snow covered garden in full view of her aged husband. Yet when the paramedics examine her body moments after, it’s concluded that she has been dead for over 8 hours. The next impossibility is that just before she shot herself a strange man with a limp spoke to her, then ran into the woods. Yet when her ageing husband runs out, there are only her set of footprints left in the snow. The man with the limp seems to have left none. Pure poetry.

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Time Waits for Norman (Series 2: Episode 7)

A man with Chronophobia, a fear of time, (married ironically to a collector of clocks), is seen by reliable witnesses in both New York and London only minutes apart. Cyphers, hamburgers and a spilled cup of coffee lead Jonathan to the simple and brilliant solution. And no, it’s not twins.

The Coonskin Cap (Series 4: Episode 1)

A unknown shooter fires during a police reconstruction of a murder, and disappears from the locked room which they shot from, leaving only the gun propped up at the window, in site the whole time. The killer then strikes again when they strangle a police officer and vanish from a school gym locked from the inside. On analysing the victim’s chilling, dying words ‘You’ll never get away…’, Creek tumbles to the killer’s deeply calculated methods.

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If you are yet to watch the Creek series, and this has wetted your appetite, I am very happy to say that it is all on Netflix. Get on it and let it’s deliciously 90’s feel take you away. If you have watched them which were your favourites?

The new episode I await with bated breath. Perhaps it will be the last Creek tale ever… (Don’t make me think of it!)

 

Nothing is Impossible

To put it simply, I am a collector of crime fiction, and more specifically, of Locked Room Mysteries. Over the past 4 years I have amassed a somewhat large amount of books (150 and counting) that are understood to be the best in the genre, and immersed myself in the gothic, macabre and sometimes hilarious world of the impossible crime story

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Some of my collection

A  Locked Room Mystery or Impossible Crime story is a sub genre of crime fiction in which the crime in question is carried out under ‘impossible’ or unexplainable circumstances. For example, someone is shot, stabbed, strangled, bludgeoned, poisoned (etc.) inside a room which is locked from the inside, with all windows bolted and no possible means of escape, yet the killer has vanished. A valuable item is under constant observation from all sides, and from all exits, with a fool-proof alarm system, yet somehow is stolen away. Three people stand outside the only entrance to a 3rd floor apartment. Yet the only man inside, who they watched enter, vanishes and found moments later half a mile away hanging from a tree. (G.K Chesterton’s ‘The Miracle of Moon Crescent’) You get the picture.

This blog will be dedicated to musings, philosophisings and wrestlings on this and other topics related to the reading, writing and collecting of crime fiction.

I hope you enjoy something of my esoteric thoughts.

 

DC